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fc 777 casino login download Since its introduction into the Islamic world, philosophy has faced relentless opposition and negative criticism throughout its history. This opposition, arising from disparate intellectual and theological concerns, was primarily expressed by three prominent groups: the religious scholars engaged in the study of jurisprudence (fiqh) and its foundational principles (usul), theologians, especially the Ash’arite school, and some mystics (Sufis). The intensity of this opposition was such that some equated the study of philosophy with apostasy and atheism, arguing that its core principles were fundamentally incompatible with the foundational tenets of Islam. While opponents of philosophy have been many, al-Ghazali emerged as the most significant among them. With intellectual rigour and theological acumen, he effectively dismantled the secular intellectual environment within the Islamic world that had once allowed Muslims to engage with diverse scientific and philosophical debates. The culmination of this intellectual rupture was epitomised in his seminal work Tahafut al-Falasifah ( The Incoherence of the Philosophers ), in which al-Ghazali challenged the ideas of prominent peripatetic philosophers like Al-Farabi and Ibn Sina (Avicenna), exposing the contradictions and limitations of their philosophical systems. Abu Hamid Muhammad al-Ghazali, an Ash’arite theologian and scholar of the Shafi'i school of jurisprudence, stands as one of the most influential figures in Islamic intellectual history. Well-versed in jurisprudence, theology, and dialectics, he is often criticised for contributing to the decline of philosophical inquiry within the Muslim intellectual tradition, especially in Sunni thought. Seyyed Hossein Nasr, a distinguished Iranian-American philosopher and theologian, maintains that al-Ghazali’s Tahafut al-Falasifah (The Incoherence of the Philosophers) decisively undermined rationalistic philosophy, and, in fact, brought an end to the philosophical tradition in the Arabic-speaking regions of the Islamic world. Frank Griffel, a respected scholar of Islamic studies at Yale University, offers a divergent view. He argues that although Al- Ghazali’s influence was undoubtedly significant, it did not lead to the complete obliteration of philosophy. Griffel contends that the existence of philosophers and philosophical works after Al-Ghazali—albeit in the minority—demonstrates that philosophy did not die entirely. There were those who continued to follow the teachings of Avicenna without engaging with Ghazali’s criticisms. From Khudi To Crisis: How Pakistan Strayed From Iqbal's Philosophy? Critics argue that al-Ghazali’s influence led to a decline in the regard for rational thought in Islamic scholarship. However, this claim cannot be easily accepted or dismissed; it requires a careful examination of the broader historical context. A deeper inquiry into the three primary factors—the theological, methodological, and socio-political—will provide a clearer understanding of the reasons behind Al-Ghazali’s staunch opposition to philosophy. First, with the fall of the Mu'tazilites, the Ash'arites emerged as the dominant orthodox school of Islamic theology. However, their doctrines did not achieve widespread acceptance until they were championed by scholars such as al-Juwayni and al-Ghazali, who is credited with refining and completing Ash'arite metaphysics. The Ash’arite school not only facilitated an independent critique of philosophy—especially Greek or Peripatetic philosophy—but also paved the way for intellectual contributions from figures like al-Ghazali and Fakhr al-Din al-Razi. Al- Ghazali's systematic refutation of philosophy, most notably in his celebrated work The Incoherence of the Philosophers , significantly diminished the apprehension toward intellectualism that had long prevailed among the orthodox. Some scholars, such as Ibn Rushd (Averroes), argued that Ash'arism, which they regarded as having evolved into the orthodox form of Islam, stifled the development of philosophy and science due to its emphasis on occasionalism. Critics often attribute the ascendancy of Ash'arism to al-Ghazali’s influence, as his works popularised Ash'arite theology to such an extent that it became the predominant theological framework of the Muslim community, a status it largely retains to this day. While the Ash'arites do not reject reason outright, they consider intellect (‘aql) secondary to Tradition (naql), prioritising the latter, in contrast to the Mu'tazilites. As Allama Iqal notes in The Development of Metaphysics in Persia , “Al-Ghazali was the first to write a systematic refutation of philosophy, and completely to annihilate that dread of intellectualism which had characterised the orthodox.” Sirbaz Khan Makes History As First Pakistani To Summit All 14 Peaks Above 8,000 Metres In his pursuit of truth, al-Ghazali embarked on a rigorous spiritual journey, eschewing intellectual rationalism in favour of a more direct, experiential path. Ultimately, he found refuge in Sufism Second, al-Ghazali’s critique of rationalism centres on the overreliance on reason and discursive philosophy. While he does not oppose or discredit intellect (aql) entirely, he argues that, although important, reason and intellect are insufficient for understanding absolute truth. His opposition to philosophy is articulated through two primary paradigms. First, al-Ghazali criticised Muslim peripatetic philosophers, particularly Ibn Sina and al-Farabi, for failing to meet the rigorous standards of demonstrative proof (burhan) and logic (mantiq), while elevating rational inquiry above the authority of Sharia and divine revelation. He contended that this elevation led to heretical and apostate views that undermined religious duties and deviated from core Islamic principles. In his The Incoherence of the Philosophers , al-Ghazali argued that the Aristotelian philosophy and logic transmitted by these philosophers were corrupt, often misinterpreted, and inadequate for addressing key theological matters. His critique focused on three central issues: the pre-eternity of the world, God’s knowledge of particulars, and bodily resurrection, among others. Secondly, as an Ash'arite theologian, al-Ghazali emphasised the epistemological primacy of Sharia over intellect. He believed that reason alone was insufficient to distinguish between good and evil or truth and falsehood. According to al-Ghazali, intellect must be subordinated to Sharia and divine revelation. Al-Ghazali not only undermined the dominance of philosophy in the Islamic world, particularly within Sunni Islam, but also reinforced the centrality of Sharia in shaping both theological and moral understanding. Dr Fazlur Rahman Malik, a modernist scholar and Islamic philosopher, stated, "Having failed to satisfy orthodox requirements, [philosophy] was denied the passport to survival." Third, al-Ghazali’s existential crisis, which began at the age of 38, precipitated a profound intellectual and spiritual turmoil, compelling him to abandon his prestigious career at Nizamiyyah Baghdad and personal life in search of the absolute truth and certitude. This crisis set him on a transformative, decade-long journey of epistemic inquiry. In his spiritual autobiography Deliverance from Error , he reflects on how the multiplicity of religious sects and conflicting doctrines within Islam fuelled his growing doubt. This realisation led him to reject conformist belief systems (taqlid), recognising religious adherence as more a result of social conditioning than rational conviction. Shehroze Kashif Becomes Youngest Pakistani To Summit All 8,000M Mountains In his pursuit of truth, al-Ghazali embarked on a rigorous spiritual journey, eschewing intellectual rationalism in favour of a more direct, experiential path. Ultimately, he found refuge in Sufism, which he regarded as the only true path to absolute truth, transcending the limitations of reason and sensory perception, while rejecting all other intellectual and spiritual avenues, including philosophy. Al-Ghazali's immersion in Sufism led him to embrace an intuitive (shuhudi) methodology. In his view, philosophy was an intellectual exercise dependent upon sensory experience and reason—tools he deemed insufficient for attaining truth and certitude. Al-Ghazali's intuitive methodology, as articulated in his writings, particularly in Ihya Ulum al- Din , emphasises the primacy of direct, experiential knowledge over abstract reasoning or intellectual debate. He contended that intuition (shuhud), being deeply subjective experience, could not be effectively communicated through traditional educational methods. In this regard, philosophy, with its reliance on rational analysis and logical constructs, appeared to al-Ghazali as a mere approximation of truth—incapable of guiding one to the deepest realities of existence, which could only be accessed through direct, mystical experience. It is equally important to mention that al-Ghazali’s embrace of Sufism was not only the outcome of his intellectual and spiritual quest but also a response to the political climate of his time, which increasingly opposed philosophical inquiry. In particular, peripatetic philosophy came under severe criticism from traditional Sunni scholars. Due to various socio-political factors, the teaching of rational sciences in madrassahs was restricted, as exemplified by the Nizamiyyah in Baghdad, founded by Khwaja Nizam al-Mulk, where Ghazali both studied and later taught. Nizam al-Mulk, the Persian vizier of the Seljuk Empire, was a strong supporter of Shafi'i jurisprudence and Ash'ari scholars, and nearly all the teachers at the Nizamiyya were Shafi'i scholars. Furthermore, religious conflicts within the Islamic world were on the rise. In this context, the promotion and patronage of Sufism by the political elites, including Seljuk rulers such as Sultan Tughril Bey, his brother Ibrahim Yinal, and Nizam al-Mulk, can be seen as a response to both the political needs of the time and the intellectual turmoil within the Muslim world. BankIslami Redefines Pakistan’s Financial Landscape With Riba-Free Banking For All According to Seyyed Hossein Nasr, Ghazali's attacks on philosophy, as the leading Ash'ari theologian, Shafi'i scholar, and teacher at the Nizamiyya, played an important role in consolidating the political position and stabilising the Seljuk government.

Grade: Senior School: Davenport North Notes: Bourrage, the reigning Iowa Gatorade Player of the Year, ranked second in the MAC scoring (19.8 ppg) and first in rebounds (9.3) and assists (5.6) last season. ... Has 1,042 points and 533 rebounds for her career. ... Signed with LSU earlier this month. Grade: Senior School: Davenport North Notes: Enters the season with 1,229 points and 603 rebounds. ... Missed the last eight games last season because of a knee injury. Shot 63.8% last season. ... Averaged 18.6 points, 8.4 rebounds, 4.8 assists and 4.6 steals per game as a junior. ... Signed with Iowa earlier this month. Grade: Junior School: Bettendorf Notes: McCorkle, who played at Davenport North as a freshman, ranked fifth in the MAC in scoring last season at 15.9 points per game. ... The 5-foot-8 guard also accounted for 3.1 rebounds, 2.1 assists and 3.5 steals per game. ... Has D-I college offers from Ball State and Buffalo. Year: Senior School: Pleasant Valley Notes: 5-6 guard was second in assists per game last season (5.0) behind only North’s Divine Bourrage. ... Scored 12.5 points per game and added 3.6 steals per contest. Career totals: 793 points, 263 assists, 255 steals. ... Signed with D-III Wartburg. Grade: Senior School: Central DeWitt Notes: Led the MAC in scoring (21 ppg) and ranked fourth in 4A last season. ... Also averaged 5.8 rebounds, 2.3 assists and 2.7 steals per game as a junior. ... Has 1,008 career points. ... Signed with D-II Lewis University of the Great Lakes Valley Conference. Sent weekly directly to your inbox! Sports Editor {{description}} Email notifications are only sent once a day, and only if there are new matching items.There is plenty of NBA action taking place on Saturday, Nov. 23 and it all starts with the Utah Jazz hosting the New York Knicks at the Delta Center in Salt Lake City. The game is scheduled to start at 5 p.m. EST and will be broadcast on NBA TV, MSG and KJZZ . Fans looking to watch this NBA game can do so for free by using FuboTV and DirecTV Stream, which both offer a free trial or with SlingTV, which doesn’t offer a free trial but has promotional offers available . The Knicks have won four straight starting with the final three games in a four-game home stand and the first game of a five-game road trip that started in Phoenix. New York is 4-4 on the road this season. The Jazz have lost four straight on a four-game road trip. Utah returns home where it is only 1-5, but the squad won it’s last game at the Delta Center, 115-113 over the Dallas Mavericks. Who: New York Knicks vs. Utah Jazz When: Saturday, Nov. 23 at 5 p.m. EST Where: Delta Center in Salt Lake City Stream: FuboTV (free trial) ; Sling ; DirecTV Stream (free trial) Betting: Check out our MA sports betting guide , where you can learn basic terminology, definitions and how to read odds for those interested in learning how to bet in Massachusetts. More College Football What is FuboTV? FuboTV is an internet television service that offers more than 200 channels across sports and entertainment including Paramount+ with SHOWTIME . From the UEFA Champions League to the WNBA to international tournaments ranging across sports, there’s plenty of options available on FuboTV, which offers a free trial, and $20 off the first month for new costumers. What is DirecTV Stream? DirecTV Stream offers practically everything DirecTV provides, except for a remote and a streaming device to connect to your television. Sign up now and get three free months of premium channels including MAX , Paramount+ with SHOWTIME and Starz. What is SlingTV? SlingTV offers a variety of live programing ranging from news and sports and starting as low as $20 a month for your first month. Subscribers also get a month of DVR Plus free if they sign up now. Choose from a variety of sports packages without long-term contracts and with easy cancelation. RELATED CONTENT: NBA memo to players urges increased vigilance regarding home security following break-ins By TIM REYNOLDS AP Basketball Writer MIAMI (AP) — The NBA is urging its players to take additional precautions to secure their homes following reports of recent high-profile burglaries of dwellings owned by Milwaukee Bucks forward Bobby Portis, Minnesota Timberwolves guard Mike Conley Jr. and Kansas City Chiefs teammates Patrick Mahomes and Travis Kelce. In a memo the NBA sent to its team officials, a copy of which was obtained by The Associated Press, the league revealed that the FBI has connected some burglaries to “transnational South American Theft Groups” that are “reportedly well-organized, sophisticated rings that incorporate advanced techniques and technologies, including pre-surveillance, drones, and signal jamming devices.” Conley’s home was broken into on Sept. 15 when he was at a Minnesota Vikings game and jewelry was taken, officials told the Minneapolis Star-Tribune. Portis said his home was broken into on Nov. 2 and has offered a $40,000 reward for information related to the incident. The homes of Mahomes and Kelce were broken into within days of each other last month, according to law enforcement reports, and the NFL issued a similar warning memo to its teams this week. The NBA memo, relaying information from the FBI, said the theft rings “are primarily focused on cash and items that can be resold on the black market, such as jewelry, watches, and luxury bags.” The NBA, which has also been giving guidance to team security personnel, recommended that players install updated alarm systems with cameras and utilize them whenever leaving the home, keeping valuables in locked and secured safes, remove online real estate listings that may show interior photos of a home, “utilize protective guard services” during extended trips from the home and even suggested having dogs assist with home protection. “Obviously, it’s frustrating, disappointing, but I can’t get into too many of the details because the investigation is still ongoing,” Mahomes recently said. “But, obviously, something you don’t want to happen to anybody, but obviously yourself.” One of the break-ins involving the Chiefs players happened on a game day — Oct. 7 — and Portis was also playing a game when his home was robbed. “They took most of my prized possessions,” Portis said. The Associated Press contributed to this articleClimate-threatened nations stage protest at COP29 over contentious deal

Daniel Jones is free to sign with any NFL team after clearing waivers on Monday, which also means the team that signs the former New York Giants quarterback won't be on the hook for the nearly $12 million that was remaining on his contract this year or his $23 million injury guarantee. Jones was released at his request by the Giants on Saturday after the former first-round pick was benched last week. He reportedly wants to join a contender, and there are expected to be multiple teams interested. The two teams reported to have the most initial interest in Jones are also being offered as the most likely to sign him by one sportsbook. The Baltimore Ravens currently have journeyman backup Josh Johnson behind starting quarterback Lamar Jackson. Jones would potentially provide a third option, and one whose mobility could make him an intriguing fit in offensive coordinator Todd Monken's system The Ravens were installed as the 2/1 favorites to land Jones ahead of the Minnesota Vikings (5/2), who have veterans Nick Mullens and Brett Rypien behind starter Sam Darnold. They would likely view Jones as an upgrade. "I really can't get into too much about any short-term or long-term," Vikings coach Kevin O'Connell said Monday when asked about Jones, per ESPN's Adam Schefter. "I can just say that I've been a big fan of Daniel's for a long time and I hope wherever his next step takes him, it's a good opportunity for him." The Las Vegas Raiders (5/1) don't fall into the category of contenders after falling to 2-9 amid a seven-game losing streak. However, they could provide the most immediate opportunity to play with Gardner Minshew suffering a season-ending broken collarbone on Sunday that is expected to end his season. Second-year quarterback Aidan O'Connell is close to returning from a thumb injury, but coach Antonio Pierce acknowledged after Sunday's game that, "We're going to need somebody, right?" If O'Connell isn't ready to face the Kansas City Chiefs on Black Friday, Desmond Ridder is expected to get the start. The Dallas Cowboys (7/1) would fall into a similar category, with Dak Prescott out for the season following hamstring surgery and being replaced by Cooper Rush. Another intriguing possibility lies with Detroit, where the 10-1 Lions' offense is rolling with Jared Goff at the helm. However, should he go down to injury the only other quarterback on the roster is rookie Hendon Hooker. That has contributed to the Lions having 7/1 odds to sign Jones. DANIEL JONES NEXT TEAM ODDS* Baltimore Ravens (2/1) Minnesota Vikings (5/2) Las Vegas Raiders (5/1) Dallas Cowboys (7/1) Detroit Lions (7/1) Miami Dolphins (7/1) San Francisco 49ers (8/1) Carolina Panthers (10/1) Seattle Seahawks (16/1) Indianapolis Colts (20/1) New England Patriots (25/1) New Orleans Saints (25/1) New York Jets (25/1) Tennessee Titans (25/1) Atlanta Falcons (28/1) Arizona Cardinals (33/1) Chicago Bears (33/1) Cleveland Browns (33/1) Denver Broncos (33/1) Jacksonville Jaguars (40/1) Los Angeles Chargers (50/1) Los Angeles Rams (50/1) Pittsburgh Steelers (50/1) Tampa Bay Buccaneers (50/1) Washington Commanders (50/1) Cincinnati Bengals (66/1) Green Bay Packers (66/1) Houston Texans (66/1) Philadelphia Eagles (66/1) Buffalo Bills (75/1) Kansas City Chiefs (75/1) Any CFL Team (80/1) Any XFL Team (80/1) *Odds provided by SportsBetting.ag are for entertainment purposes only. --Field Level Media

RIVERDALE, N.Y. (AP) — Josh Pascarelli scored 24 points as Marist beat Manhattan 82-75 on Sunday. Pascarelli had six rebounds for the Red Foxes (6-2, 2-0 Metro Atlantic Athletic Conference). Elijah Lewis added 18 points and eight rebounds. Jason Schofield had 12 points and finished 6 of 10 from the floor. Will Sydnor led the way for the Jaspers (4-5, 1-1) with 15 points and two blocks. Wesley Robinson added 14 points, six rebounds and two steals. Masiah Gilyard had 13 points and six rebounds. The Associated Press created this story using technology provided by Data Skrive and data from Sportradar .Black Ops 6 devs admit Ranked Play has a cheating problemAs they gear up to square off against the Indiana Pacers (6-10) on Sunday, November 24 at Gainbridge Fieldhouse, with tip-off at 5:00 PM ET, the Washington Wizards (2-12) have two players currently listed on the injury report. The Pacers have listed five injured players. Watch the NBA, other live sports and more on Fubo. What is Fubo? Fubo is a streaming service that gives you access to your favorite live sports and shows on demand. Use our link to sign up for a free trial. The Pacers enter this contest after a 129-117 loss to the Bucks on Friday. In the losing effort, Pascal Siakam paced the Pacers with 25 points. The Wizards’ most recent outing on Friday ended in a 108-96 loss to the Celtics. Jordan Poole’s team-high 23 points paced the Wizards in the losing effort. Sign up for NBA League Pass to get live and on-demand access to NBA games. Get tickets for any NBA game this season at StubHub. Catch NBA action all season long on Fubo. Not all offers available in all states, please visit BetMGM for the latest promotions for your area. Must be 21+ to gamble, please wager responsibly. If you or someone you know has a gambling problem, contact 1-800-GAMBLER .

GENEVA (AP) — World Cup sponsor Bank of America teamed with FIFA for a second time Tuesday, signing for the Club World Cup that still has no broadcast deals just over six months before games start. Bank of America became FIFA’s first global banking partner in August and sealed a separate deal for a second event also being played in the United States, two days before the group-stage draw in Miami for the revamped 32-team club event . It features recent European champions Real Madrid, Manchester City and Chelsea. “FIFA is going to take America by storm and we’re going to be right at their side,” the bank’s head of marketing, David Tyrie, said in a telephone interview Tuesday. Bank of America joins 2026 World Cup sponsors Hisense and Budweiser brewer AB InBev in separately also backing the club event, and more deals are expected after Saudi Arabia is confirmed next week as the 2034 World Cup host. While games at the next World Cup, co-hosted with Canada and Mexico, will be watched by hundreds of millions globally mostly on free-to-air public networks, the Club World Cup broadcast picture is unclear. FIFA has promised hundreds of millions of dollars in prize money for the 32 clubs to share but is yet to announce any broadcast deals for the month-long tournament. It is expected to land on a streaming service. “You have to think about how you are going to connect with these fans,” Tyrie told the Associated Press from Boston. “TV is one, sure, social media is a big avenue. “The smart marketing capabilities are able to say ‘Hey, we need to tilt this one a little bit more away from TV-type marketing into social-type marketing.’ We have got a pretty decent strategy that we’re putting in place to do activation.” Engaging Bank of America’s customers and 250,000 employees are key to that strategy, Tyrie said. “It’s going to be for our clients, and entertainment, it’s going to be for our employees in creating excitement. All of the above.” The Club World Cup will be played in 12 stadiums across 11 cities, including Bank of America Stadium in Charlotte, N.C, and Lumen Field where the hometown Seattle Sounders play three group-stage games. European powers Madrid, Man City and Bayern Munich lead a 12-strong European challenge. Teams qualified by winning continental titles or posting consistently good results across four years of those competitions. The exception is Lionel Messi’s Inter Miami, who FIFA gave the entry reserved for a host nation team in October based on regular season record without waiting for the MLS Cup final. LA Galaxy hosts New York Red Bulls playing for that national title Saturday. Messi’s team opens the FIFA tournament June 15 in the Miami Dolphins’ Hard Rock Stadium and will play its three group games in Florida. “The more brand players you bring in, the bigger the following you have got,” Tyrie acknowledged, though adding Messi being involved was “not a make or break for the event.” The Club World Cup final is July 13 at Met Life Stadium near New York, which also will host the World Cup final one year later. AP soccer: https://apnews.com/hub/soccer

Denver Mayor Mike Johnston sets off firestorm with vows to resist Donald Trump’s mass deportation plansThomas Sorber collected 22 points, 12 rebounds and four blocks to pace Georgetown to an 83-53 win against shorthanded Coppin State on Saturday afternoon in Washington, D.C. The Hoyas pulled away from the Eagles with a 21-2 run early in the second half. Georgetown held Coppin State to 22 percent shooting in the second half and 18 percent from behind the arc. Georgetown (11-2) is off to its best start since the 2011-12 season. Drew Fielder recorded 20 points and 13 rebounds while Malik Mack had 15 points and 11 assists for the Hoyas. Georgetown played without its leading scorer Jayden Epps, who missed the game with a lower-body injury. Toby Nnadozie scored 22 points and Julius Ellerbe III added 12 to go along with six steals for the Eagles (1-13). The Hoyas' decisive second-half run started with Caleb Williams' steal that led to a Fielder lay up as Georgetown took 49-37 lead. Moments later, Fielder's turnaround in the lane put the Hoyas up 56-37. Sorber's jam with 6:36 left gave Georgetown a 67-41 advantage. The pesky Eagles rattled off a 7-0 run but got no closer than 19 points the rest of the game. The Eagles played without three of their top four scorers but forced 14 Georgetown turnovers in the first half and hit 5-of-8 3-pointers. Ellerbe corralled a loose ball near half court and distributed it to Nnadozie who converted a contested layup to pull CSU within 12-11. But the Hoyas held a 24-10 rebounding edge in the first half as Sorber and Fielder were a force inside the paint. The Hoyas created separation as Sorber worked the high-low game with a catch in the lane and a left finger roll for a 25-15 Hoyas' lead with 8:40 left in the first half. Zahree Harrison's 3-pointer kept the dogged visitors close and capped a 5-0 run that cut the Georgetown lead to 25-20. Nnadozie closed the first half with a 3-pointer and the Hoyas held a 37-30 lead. --Field Level Media‘It seems madness’: One word City won’t want to hear as Pep makes big admission after shock loss

Suriname's government announced Saturday that the small South American nation will not hold a state funeral for its ex-president Desi Bouterse, who this week died a fugitive from justice aged 79. Current President Chan Santokhi "has decided, based on his powers and advice received, that there will be no state funeral... No period of national mourning," Foreign Minister Albert Ramdin told a press conference. Bouterse was a former military man who twice mounted coups, in 1980 and again in 1990, to take charge as a dictator. He eventually returned to power after being elected president in 2010 and governed for a decade. He died Tuesday in the unknown location where he had been holed up as a fugitive, with in-absentia convictions for cocaine trafficking and murder. Bouterse's body was dropped off at his residence in the capital Paramaribo. An autopsy was ordered, though police said there were "no signs of criminal activity." Bouterse had been sentenced to 20 years in prison in December 2023 for the 1982 execution of political opponents, including lawyers, journalists, businessmen and military prisoners. He remained a popular figure with the poor and working class in the former Dutch colony. The foreign minister said that, out of respect for Bouterse's status as an elected former president, flags would be flown at half-staff on government buildings on the day of his funeral, whose date has not yet been given. str-jt/rmb/acb

Berry's 27 lead Charleston Southern past Columbia International 95-89There is plenty of NBA action taking place on Saturday, Nov. 23 and it all starts with the Utah Jazz hosting the New York Knicks at the Delta Center in Salt Lake City. The game is scheduled to start at 5 p.m. EST and will be broadcast on NBA TV, MSG and KJZZ . Fans looking to watch this NBA game can do so for free by using FuboTV and DirecTV Stream, which both offer a free trial or with SlingTV, which doesn’t offer a free trial but has promotional offers available . The Knicks have won four straight starting with the final three games in a four-game home stand and the first game of a five-game road trip that started in Phoenix. New York is 4-4 on the road this season. The Jazz have lost four straight on a four-game road trip. Utah returns home where it is only 1-5, but the squad won it’s last game at the Delta Center, 115-113 over the Dallas Mavericks. Who: New York Knicks vs. Utah Jazz When: Saturday, Nov. 23 at 5 p.m. EST Where: Delta Center in Salt Lake City Stream: FuboTV (free trial) ; Sling ; DirecTV Stream (free trial) Betting: Check out our MA sports betting guide , where you can learn basic terminology, definitions and how to read odds for those interested in learning how to bet in Massachusetts. More College Football What is FuboTV? FuboTV is an internet television service that offers more than 200 channels across sports and entertainment including Paramount+ with SHOWTIME . From the UEFA Champions League to the WNBA to international tournaments ranging across sports, there’s plenty of options available on FuboTV, which offers a free trial, and $20 off the first month for new costumers. What is DirecTV Stream? DirecTV Stream offers practically everything DirecTV provides, except for a remote and a streaming device to connect to your television. Sign up now and get three free months of premium channels including MAX , Paramount+ with SHOWTIME and Starz. What is SlingTV? SlingTV offers a variety of live programing ranging from news and sports and starting as low as $20 a month for your first month. Subscribers also get a month of DVR Plus free if they sign up now. Choose from a variety of sports packages without long-term contracts and with easy cancelation. RELATED CONTENT: NBA memo to players urges increased vigilance regarding home security following break-ins By TIM REYNOLDS AP Basketball Writer MIAMI (AP) — The NBA is urging its players to take additional precautions to secure their homes following reports of recent high-profile burglaries of dwellings owned by Milwaukee Bucks forward Bobby Portis, Minnesota Timberwolves guard Mike Conley Jr. and Kansas City Chiefs teammates Patrick Mahomes and Travis Kelce. In a memo the NBA sent to its team officials, a copy of which was obtained by The Associated Press, the league revealed that the FBI has connected some burglaries to “transnational South American Theft Groups” that are “reportedly well-organized, sophisticated rings that incorporate advanced techniques and technologies, including pre-surveillance, drones, and signal jamming devices.” Conley’s home was broken into on Sept. 15 when he was at a Minnesota Vikings game and jewelry was taken, officials told the Minneapolis Star-Tribune. Portis said his home was broken into on Nov. 2 and has offered a $40,000 reward for information related to the incident. The homes of Mahomes and Kelce were broken into within days of each other last month, according to law enforcement reports, and the NFL issued a similar warning memo to its teams this week. The NBA memo, relaying information from the FBI, said the theft rings “are primarily focused on cash and items that can be resold on the black market, such as jewelry, watches, and luxury bags.” The NBA, which has also been giving guidance to team security personnel, recommended that players install updated alarm systems with cameras and utilize them whenever leaving the home, keeping valuables in locked and secured safes, remove online real estate listings that may show interior photos of a home, “utilize protective guard services” during extended trips from the home and even suggested having dogs assist with home protection. “Obviously, it’s frustrating, disappointing, but I can’t get into too many of the details because the investigation is still ongoing,” Mahomes recently said. “But, obviously, something you don’t want to happen to anybody, but obviously yourself.” One of the break-ins involving the Chiefs players happened on a game day — Oct. 7 — and Portis was also playing a game when his home was robbed. “They took most of my prized possessions,” Portis said. The Associated Press contributed to this article

Meghan Markle has shared her plans for Thanksgiving with her husband, Prince Harry , and their two children, Prince Archie and Princess Lilibet . In a recent interview with Marie Claire, the Duchess of Sussex revealed how her family will be kicking off the holiday season. The conversation took place during a dinner in California in October to honor of the Archewell Foundation's Welcome Project which Meghan attended solo following claims she and Harry are in the midst of a professional separation , according to royal expert Richard Fitzwilliams During the interview, Meghan shared that there's always something going on in the Sussex household to commemorate the occasion, and this year will be no different. She said: "We're always making sure we have something fun to do." "Like any other family you spend time having a great meal and then what do you do? Play games, all the same stuff, someone brings a guitar-fun," said the Duchess of Sussex . The US-based royal mentioned that she ensures her two children get to experience "the magic" of traditions like "great recipes that they end up connecting to a formative memory" at Thanksgiving or putting out "carrots for the reindeer" at Christmas . She added: "Every single holiday is a new adventure." DON'T MISS: Harry and Meghan's US life plagued by 'intolerable' smell - crackdown underway Prince Harry may be ineligible to visit children in US if Trump deports him Meghan Markle and Prince Harry's new Netflix show sparks complaints The Duchess of Sussex has revealed that she and Prince Harry prefer having a "pretty low-key" Thanksgiving, with the emphasis on family. She said: "Being close to my mom is great". Meghan also shared her tradition of ensuring there's always room at the table for friends without family during the holiday season, saying: "I was thinking about, in the past few years of having Thanksgiving here, like many of us, I think you always make sure there's room at the table for your friends who don't have family, which is really key." She even once had American social activist and feminist organiser Gloria Steinem as a guest for Thanksgiving. Meghan concluded by expressing her love for the holiday season. She said: "I love the holidays."Modi’s party wins Maharashtra state polls, loses Jharkhand

Bank of America signs again with FIFA for US-hosted Club World Cup that still has no TV deals

One night last month, near the end of the Chicago International Film Festival, a particularly long line of moviegoers snaked down Southport Avenue by the Music Box Theatre. The hot ticket? This fall’s hottest ticket, in fact, all over the international festival circuit? Well, it’s a 215-minute drama about a fictional Hungarian Jewish architect who emigrates to America in 1947 after surviving the Holocaust. The film’s title, “The Brutalist,” references several things, firstly a post-World War II design imperative made of stern concrete, steel, and a collision of poetry and functionality. Director and co-writer Brady Corbet, who wrote “The Brutalist” with his filmmaker wife, Mona Fastvold, explores brutalism in other forms as well, including love, envy, capitalist economics and how the promise of America eludes someone like the visionary architect László Tóth, played by Adrien Brody. Corbet, now 36 and a good bet for Oscar nominations this coming January, says his unfashionable sprawl of a picture, being distributed by A24, is also about the “strange relationship between artist and patron, and art and commerce.” It co-stars Felicity Jones as the visionary architect’s wife, Erzsébet, trapped in Eastern Europe after the war with their niece for an agonizingly long time. Guy Pearce portrays the imperious Philadelphia blueblood who hires Tóth, a near-invisible figure in his adopted country, to design a monumental public building known as the Institute in rural Pennsylvania. The project becomes an obsession, then a breaking point and then something else. Corbet’s project, which took the better part of a decade to come together after falling apart more than once, felt like that, too. Spanning five decades and filmed in Hungary and Italy, “The Brutalist” looks like a well-spent $50 million project. In actuality, it was made for a mere $10 million, with Corbet and cinematographer Lol Crawley shooting on film, largely in the VistaVision process. The filmmaker said at the Chicago festival screening: “Who woulda thunk that for screening after screening over the last couple of months, people stood in line around the block to get into a three-and-a-half-hour movie about a mid-century designer?” He lives in Brooklyn, New York, with Fastvold and their daughter. Our conversation has been edited for clarity and length. Q: Putting together an independent movie, keeping it on track, getting it made: not easy, as you told the Music Box audience last night. Money is inevitably going to be part of the story of “The Brutalist,” since you had only so much to make a far-flung historical epic. A: Yeah, that’s right. In relation to my earlier features, “The Childhood of a Leader” had a $3 million budget. The budget for “Vox Lux” was right around $10 million, same as “The Brutalist,” although the actual production budget for “Vox Lux” was about $4.5 million. Which is to say: All the money on top of that was going to all the wrong places. For a lot of reasons, when my wife and I finished the screenplay for “The Brutalist,” we ruled out scouting locations in Philadelphia or anywhere in the northeastern United States. We needed to (film) somewhere with a lot less red tape. My wife’s previous film, “The World to Come,” she made in Romania; we shot “Childhood of a Leader” in Hungary. For “The Brutalist” we initially landed on Poland, but this was early on in COVID and Poland shut its borders the week our crew was arriving for pre-production. When we finally got things up and running again with a different iteration of the cast (the original ensemble was to star Joel Edgerton, Marion Cotillard and Mark Rylance), after nine months, the movie fell apart again because Russia’s invasion of Ukraine. We couldn’t get any of the banks to cash-flow the tax credit (for location shooting in Poland). It’s completely stable now, but at that time the banks were nervous about whether the war would be contained to Ukraine or not. And then we finally got it up and running in Budapest, Hungary. Q: That’s a long time. A: Every filmmaker I know suffers from some form of post-traumatic stress (laughs). It sounds funny but it’s true. At every level. On the level of independent cinema, you’re just so damn poor. You’re not making any money, and yet from nose to tail, at minimum, a movie always takes a couple of years. With bigger projects, you might have a little more personal security but a lot less creative security with so many more cooks in the kitchen. Either route you choose, it can be an arduous and painful one. Whether you’re making a movie for a million dollars, or $10 million, or $100 million, it’s still “millions of dollars.” And if you’re concerned about the lives and livelihoods of the people working with you, it’s especially stressful. People are constantly calling you: “Is it happening? Are we starting? Should I take this other job or not?” And you have 250 people who need that answer from you. Every iteration of the project, I always thought we were really about to start in a week, two weeks. It’s just very challenging interpersonally. It’s an imposition for everyone in your life. And then there’s the imposition of screening a movie that’s three-and-a-half-hours long for film festivals, where it’s difficult to find that kind of real estate on the schedule. So essentially, making a movie means constantly apologizing. Q: At what point in your acting career did you take a strong interest in what was going on behind the camera? A: I was making short films when I was 11, 12 years old. The first thing I ever made more properly, I guess, was a short film I made when I was 18, “Protect You + Me,” shot by (cinematographer) Darius Khondji. It was supposed to be part of a triptych of films, and I went to Paris for the two films that followed it. And then all the financing fell through. But that first one screened at the London film festival, and won a prize at Sundance, and I was making music videos and other stuff by then. Q: You’ve written a lot of screenplays with your wife. How many? A: Probably 25. We work a lot for other people, too. I think we’ve done six together for our own projects. Sometimes I’ll start something at night and my wife will finish in the morning. Sometimes we work very closely together, talking and typing together. It’s always different. Right now I’m writing a lot on the road, and my wife is editing her film, which is a musical we wrote, “Ann Lee,” about the founder of the Shakers. I’m working on my next movie now, which spans a lot of time, like “The Brutalist,” with a lot of locations. And I need to make sure we can do it for not a lot of money, because it’s just not possible to have a lot of money and total autonomy. For me making a movie is like cooking. If everyone starts coming in and throwing a dash of this or that in the pot, it won’t work out. A continuity of vision is what I look for when I read a novel. Same with watching a film. A lot of stuff out there today, appropriately referred to as “content,” has more in common with a pair of Nikes than it does with narrative cinema. Q: Yeah, I can’t imagine a lot of Hollywood executives who’d sign off on “The Brutalist.” A: Well, even with our terrific producing team, I mean, everyone was up for a three-hour movie but we were sort of pushing it with three-and-a-half (laughs). I figured, worst-case scenario, it opens on a streamer. Not what I had in mind, but people watch stuff that’s eight, 12 hours long all the time. They get a cold, they watch four seasons of “Succession.” (A24 is releasing the film in theaters, gradually.) It was important for all of us to try to capture an entire century’s worth of thinking about design with “The Brutalist.” For me, making something means expressing a feeling I have about our history. I’ve described my films as poetic films about politics, that go to places politics alone cannot reach. It’s one thing to say something like “history repeats itself.” It’s another thing to make people see that, and feel it. I really want viewers to engage with the past, and the trauma of that history can be uncomfortable, or dusty, or dry. But if you can make it something vital, and tangible, the way great professors can do for their students, that’s my definition of success. “The Brutalist” opens in New York and Los Angeles on Dec. 20. The Chicago release is Jan. 10, 2025. Michael Phillips is a Tribune critic.One night last month, near the end of the Chicago International Film Festival, a particularly long line of moviegoers snaked down Southport Avenue by the Music Box Theatre. The hot ticket? This fall’s hottest ticket, in fact, all over the international festival circuit? Well, it’s a 215-minute drama about a fictional Hungarian Jewish architect who emigrates to America in 1947 after surviving the Holocaust. The film’s title, “The Brutalist,” references several things, firstly a post-World War II design imperative made of stern concrete, steel, and a collision of poetry and functionality. Director and co-writer Brady Corbet, who wrote “The Brutalist” with his filmmaker wife, Mona Fastvold, explores brutalism in other forms as well, including love, envy, capitalist economics and how the promise of America eludes someone like the visionary architect László Tóth, played by Adrien Brody. Corbet, now 36 and a good bet for Oscar nominations this coming January, says his unfashionable sprawl of a picture, being distributed by A24, is also about the “strange relationship between artist and patron, and art and commerce.” It co-stars Felicity Jones as the visionary architect’s wife, Erzsébet, trapped in Eastern Europe after the war with their niece for an agonizingly long time. Guy Pearce portrays the imperious Philadelphia blueblood who hires Tóth, a near-invisible figure in his adopted country, to design a monumental public building known as the Institute in rural Pennsylvania. The project becomes an obsession, then a breaking point and then something else. Corbet’s project, which took the better part of a decade to come together after falling apart more than once, felt like that, too. Spanning five decades and filmed in Hungary and Italy, “The Brutalist” looks like a well-spent $50 million project. In actuality, it was made for a mere $10 million, with Corbet and cinematographer Lol Crawley shooting on film, largely in the VistaVision process. The filmmaker said at the Chicago festival screening: “Who woulda thunk that for screening after screening over the last couple of months, people stood in line around the block to get into a three-and-a-half-hour movie about a mid-century designer?” He lives in Brooklyn, New York, with Fastvold and their daughter. Our conversation has been edited for clarity and length. Q: Putting together an independent movie, keeping it on track, getting it made: not easy, as you told the Music Box audience last night. Money is inevitably going to be part of the story of “The Brutalist,” since you had only so much to make a far-flung historical epic. A: Yeah, that’s right. In relation to my earlier features, “The Childhood of a Leader” had a $3 million budget. The budget for “Vox Lux” was right around $10 million, same as “The Brutalist,” although the actual production budget for “Vox Lux” was about $4.5 million. Which is to say: All the money on top of that was going to all the wrong places. For a lot of reasons, when my wife and I finished the screenplay for “The Brutalist,” we ruled out scouting locations in Philadelphia or anywhere in the northeastern United States. We needed to (film) somewhere with a lot less red tape. My wife’s previous film, “The World to Come,” she made in Romania; we shot “Childhood of a Leader” in Hungary. For “The Brutalist” we initially landed on Poland, but this was early on in COVID and Poland shut its borders the week our crew was arriving for pre-production. When we finally got things up and running again with a different iteration of the cast (the original ensemble was to star Joel Edgerton, Marion Cotillard and Mark Rylance), after nine months, the movie fell apart again because Russia’s invasion of Ukraine. We couldn’t get any of the banks to cash-flow the tax credit (for location shooting in Poland). It’s completely stable now, but at that time the banks were nervous about whether the war would be contained to Ukraine or not. And then we finally got it up and running in Budapest, Hungary. Q: That’s a long time. A: Every filmmaker I know suffers from some form of post-traumatic stress (laughs). It sounds funny but it’s true. At every level. On the level of independent cinema, you’re just so damn poor. You’re not making any money, and yet from nose to tail, at minimum, a movie always takes a couple of years. With bigger projects, you might have a little more personal security but a lot less creative security with so many more cooks in the kitchen. Either route you choose, it can be an arduous and painful one. Whether you’re making a movie for a million dollars, or $10 million, or $100 million, it’s still “millions of dollars.” And if you’re concerned about the lives and livelihoods of the people working with you, it’s especially stressful. People are constantly calling you: “Is it happening? Are we starting? Should I take this other job or not?” And you have 250 people who need that answer from you. Every iteration of the project, I always thought we were really about to start in a week, two weeks. It’s just very challenging interpersonally. It’s an imposition for everyone in your life. And then there’s the imposition of screening a movie that’s three-and-a-half-hours long for film festivals, where it’s difficult to find that kind of real estate on the schedule. So essentially, making a movie means constantly apologizing. Q: At what point in your acting career did you take a strong interest in what was going on behind the camera? A: I was making short films when I was 11, 12 years old. The first thing I ever made more properly, I guess, was a short film I made when I was 18, “Protect You + Me,” shot by (cinematographer) Darius Khondji. It was supposed to be part of a triptych of films, and I went to Paris for the two films that followed it. And then all the financing fell through. But that first one screened at the London film festival, and won a prize at Sundance, and I was making music videos and other stuff by then. Q: You’ve written a lot of screenplays with your wife. How many? A: Probably 25. We work a lot for other people, too. I think we’ve done six together for our own projects. Sometimes I’ll start something at night and my wife will finish in the morning. Sometimes we work very closely together, talking and typing together. It’s always different. Right now I’m writing a lot on the road, and my wife is editing her film, which is a musical we wrote, “Ann Lee,” about the founder of the Shakers. I’m working on my next movie now, which spans a lot of time, like “The Brutalist,” with a lot of locations. And I need to make sure we can do it for not a lot of money, because it’s just not possible to have a lot of money and total autonomy. For me making a movie is like cooking. If everyone starts coming in and throwing a dash of this or that in the pot, it won’t work out. A continuity of vision is what I look for when I read a novel. Same with watching a film. A lot of stuff out there today, appropriately referred to as “content,” has more in common with a pair of Nikes than it does with narrative cinema. Q: Yeah, I can’t imagine a lot of Hollywood executives who’d sign off on “The Brutalist.” A: Well, even with our terrific producing team, I mean, everyone was up for a three-hour movie but we were sort of pushing it with three-and-a-half (laughs). I figured, worst-case scenario, it opens on a streamer. Not what I had in mind, but people watch stuff that’s eight, 12 hours long all the time. They get a cold, they watch four seasons of “Succession.” (A24 is releasing the film in theaters, gradually.) It was important for all of us to try to capture an entire century’s worth of thinking about design with “The Brutalist.” For me, making something means expressing a feeling I have about our history. I’ve described my films as poetic films about politics, that go to places politics alone cannot reach. It’s one thing to say something like “history repeats itself.” It’s another thing to make people see that, and feel it. I really want viewers to engage with the past, and the trauma of that history can be uncomfortable, or dusty, or dry. But if you can make it something vital, and tangible, the way great professors can do for their students, that’s my definition of success. “The Brutalist” opens in New York and Los Angeles on Dec. 20. The Chicago release is Jan. 10, 2025. Michael Phillips is a Tribune critic.

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